From Mating by Norman Rush:
The inspiriting effect my singing had on my animals was not an illusion, and it reminds me now of the period when I was feeling depressed at how commonplace my dreams were compared to Denoon’s. He claimed to dream infrequently, but when he did, his dreams were like something by Faberge or Kafka in their uniqueness. He would have noetic dreams, and when they were over he would be left in possession of some adage or percept that tells you something occult or fundamental about the world. One of these was the conviction he woke up with one morning that music was the remnant of a medium that had been employed in the depths of the past as a means of communication between men and animals — I assume man arrow animal and not ducks playing flutes to get their point across to man. Living with me made him more provisional about his dreams, especially after I compared one of his adages to a statement some famous surrealist was left with after dreaming, which he thought important enough to print up: Beat your mother while she’s still young. I would always make Denoon at least try to reduce his insights to a sentence or two. The fact is I laugh at dreams. They seem to me to be some kind of gorgeous garbage. I have revenge dreams, mainly, in which I tell significant figures from my past things like You have the brains of a drum. On I sang.
Is it absurd to be proud of your dreams, or not? Denoon was.